
I like the deep ridges on the shells in the middle picture.

And there are a few tiny shells trapped in the holes in the ginger-colured stone. Nothing alive in them!
Featuring all kinds of areas that overlap with and give stimulus to embroidery - colours, shapes, textures, painting, quilting, the natural world . . .


I followed Lynne Edwards' measurements and basic instructions from her 2 books on sampler quilts, used blocks from them and some magazines, and some I invented.
I used the 'quilt-as-you-go' method, making up each block sandwich and quilting it, by hand, or by machine, then joining them.




one of our daughters then continued next day, in fog and frost again!

but back in the sun where the road climbs higher.









A very simple way I made a stitch sample book during City and Guilds some years ago was by making pages, then simply stitching them together down one side, then onto a soft cover that folded over them.
Each stitch type was done on a piece of fabric which was then either sewn to a background piece of roughly appropriate size, or was extended by adding strips. The book was added to over a period of time, and each 'page' was simply sewn to the existing ones when finished. A couple of bits were even sewn in just as they were. I like the rough look of it, its the sort of thing that appeals to me. I can't do neat!








